- 正在播放：欧洲的某个地方 - HD中字
- 提醒不要轻易相信视频中的广告，谨防上当受骗!
- 如果无法在线播放请重新刷新页面，或者切换线路。
- 视频加载速度跟网速有关，请耐心等待几秒钟。
欧洲的某个地方 HD中字
1948 / 其它 / 电影
状态：HD中字
扫一扫 手机免费观看更方便
《欧洲的某个地方》 HD中字
欧洲的某个地方
点击量 | 日:156 | 周:446 | 月:554 | 总:483
年份：1948地区：其它类型：剧情
导演：Radványi,Géza
主演：Artúr,Somlay,Miklós,Gábor,Zsuzsa,Bánki
版本：1080P高清未删减完整版
更新时间：2024-06-24
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends? The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences: an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to "formalism for its own sake" have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
提示：[DVD:720P标准清晰版] [BD:超清未删减版] [HD:1080P高清完整版]，BD和HD版本不太适合网速过慢的手机在线观看。
猜你喜欢
相关推荐
- 中文字幕9.0
过着平凡生活的一郎，某天在妻子的手机上发现了一条可疑信息。发件人是个男人，他怀疑是妻子的前男友，并威胁要公开一段私密视频。起初，一郎难以置信，但看到妻子茫
- 中文字幕7.0
继母担心独自在异国他乡工作的继子佑介，打电话给他。听到电话那头虚弱的声音，她心头一软，便前去探望。由于从小娇生惯养，她担心继子能否适应异国生活，来到佑介家
- HD1.0
我叫夏津生，做水产生意，45岁那年我儿子跳楼自杀了，他死后第37天我进了他所有的群，我发现里面全都是有抑郁倾向企图轻生的孩子，我不知道为什么，我在“约死群
- 中文字幕3.0
妻子香织回娘家生产，大辅独自在家。然而，素来不爱做家务的大辅趁香织不在家，把家里弄得像猪圈一样。与此同时，他的弟媳千穗担心大辅孤身一人会闷闷不乐，便主动上
- 中文字幕7.0
一天，达也的嫂子来访。她坦白说自己和丈夫关系疏远，夜生活也变得冷淡。达也明知这样做不对，却还是答应了她的请求。他们越过了不该越过的界限！虽然原本打算一了百
- HD国语7.0
八路军教导员王金执行锄奸任务失败又遭叛徒诬陷，被组织审查。王金凭着对党的忠诚和坚强的意志率领这些身份复杂、性格迥异的人最终组成了一支神秘的队伍，出生入死、
- HD7.0
韩国动作奇幻电影，于2025年10月15日上映。该片由姜允成执导，是韩国首部采用生成式人工智能技术的长篇电影。一场葬礼揭开惊天阴谋！警察金锡泰与国情院特工
- 正片9.0
何巨峯(何浩文 飾),一代鴨王,做過歌手、明星。現在很少人叫他做鴨王,多數叫他做峯哥,更收入室徒弟 Dick(林子善 飾) 。在一次遊艇派對上,峯巧遇第一
- HD中字2.0
影片改编自真实故事。2005年，意大利特工尼古拉·卡利帕里在巴格达被美军“误杀”，当时他正护送被恐怖组织囚禁的记者朱莉安娜·斯格雷纳返回安全地带。影片在紧
- HD中字7.0
在战争开始时，内向的年轻士兵弗兰兹发现了一只受伤的狐狸幼崽，小狐狸在树林中孤苦无依的样子，让他仿佛看见了从小被父亲卖去农场主家的自己。他像照顾自己的孩子一
- HD中字4.0
那年盛夏，少女夏文萱（许恩怡 饰）与少年苏升华（陈卓贤 饰），因一张唱片相遇，但对这段青涩的爱情，不知能走多远……多年后，已成为音乐人的苏升华（郑伊健 饰
- 中文字幕4.0
斋藤在拜访圭介家时，无意中听到圭介妻子的电话。他目睹妻子与另一个男人（并非圭介的父亲）在电话旁自慰。斋藤趁机向妻子提出性要求。圭介的母亲不愿让儿子知道此事
- 中文字幕2.0
穿着紧身衣物享受精油按摩。按摩师用精油舒缓疲劳，刺激身体的敏感地带。这种意想不到的刺激会逐渐温暖顾客的身体
- 正片9.0
Qing embarks on a journey of sexual taboo to awaken her comatose husband, tra
- 中文字幕1.0
智秀以房客的身份搬进了美爱和素贞姐妹的家。智秀入住的第一晚，喝醉的素贞带着男友回家了。素贞完全没注意到智秀，打开门就开始和男友亲热。智秀目睹了素贞和男友成
- 中文字幕4.0
我加班的时候，平时脾气暴躁的经理回家了。他开始骚扰我，说我浪费电费，然后，他以我和男朋友打电话为借口，开始摸我。接着，他的手越伸越深
- HD国语5.0
该片讲述了新时代，主人公陈建国回到家乡，凭借创新精神和不懈努力，将曾经“脏乱差”问题突出的家乡成功打造为远近闻名的民宿旅游村，不仅带动了乡村经济的蓬勃发展
影视评论
耶～～复制成功